The Waka Pungarehu (Ash Urn) has two carved tekoteko (statues) positioned at the ends of the waka pungarehu which are carved in the traditional style of whakapakoko, resembling preserved corpses. The surface is intricately adorned with the raperape design, symbolizing the continuous cycle of life and the evolution of death. The pakati and haehae techniques are skillfully carved to enhance the entire waka pungarehu, with the distinctive pakati design known as niho kuri (dog’s teeth) adding a unique touch. The pakati designs feature iroiro (maggots) motifs, symbolizing the natural process of
decomposition when a human body returns to the earth.
Material: Tōtara
Measurements: 450mm x 110mm x 90mm
In former times, marae had no wharekai (dining halls) to what we are familiar with today. During those times, specific ‘food mats’ were laid out in the middle of the wharenui (meeting house) and the food for the manuhiri (guest) was placed on them. This takapapa has been weaved to be used as a table runner.
Material: Harakeke
Measurements: 1110mm x 230mm
Shark teeth were highly sought after to wear as a symbol of prestige for personal adornment. They were reflective of the mana of the shark itself.
Material: Onewa (NZ Greywacke)
Measurements: 73mm x 21mm
Kete whakairo are woven flax bags of a finer quality than the general utilitarian kete. They are normally made from prepared strips of flax and/or kiekie, some of which have been dyed. Kete whakairo may also feature geometric designs.
Material: Harakeke & Feather Adornments
Measurements: 240mm x 200mm x 100mm
The maro is a frontal apron tied around the waist and is a traditional garment that is worn by both men and woman. This maro has been fashioned with strands of muka fibre within the flax.
Material: Harakeke & Muka
Measurements: 680mm x 480mm
Shark teeth were highly sought after to wear as a symbol of prestige for personal adornment. They were reflective of the mana of the shark itself.
Material: Onewa (NZ Greywacke)
Measurements: 103mm x 23mm
Aurei were customarily used as a pin for fastening cloaks and may be made from bone, stone, wood or shell. They may also have been worn through the ear as an earring or around the neck as a pendant. Aurei are still commonly worn as pendants and earrings and as with most Māori personal adornments, are often passed down generationally.
Material: Koiwi (Beef Bone)
Measurements: 124mm x 18mm x 10mm
Heru were produced in varying shapes and sizes and were made from rākau (wood) and in some instance’s parāoa (whalebone). These combs were highly valued as personal heirlooms and were consequently passed down from one generation to the next, often acquiring their own personal names.
The combs were mostly decorative and held the pūtikitiki (top knot) in place. When a comb was broken, it was placed in a swamp or a sacred place for safe keeping because the head was the most sacred part of the body and therefore tapu (sacred).
Material: Tōtara
Measurements: 230mm x 90mm x 4mm
Tukutuku is a type of ornamental weaving using reed lattice work rather than threads. It is used mainly to adorn the inside walls of wharenui (meeting houses).
Material: Hardboard, Strapping & Acrylic Paint
Measurements: 350mm x 670mm
Shark teeth were highly sought after to wear as a symbol of prestige for personal adornment. They were reflective of the mana of the shark itself. This tooth pendant references the tiger shark. This shark is an aggressive predator and is found mostly in tropical and warm waters. Tiger sharks are named for the dark, vertical stripes found mainly on juveniles.
Material: Onewa (NZ Greywacke)
Measurements: 96mm x 82mm x 19mm