Since the first intake at Te Wānanga Whakairo, many young Māori from iwi (tribes) throughout New Zealand have been taught the Māori practice of wood carving under the expert guidance of master carvers who were once trainees at the school. This tohu (qualification) is for three years and is 40 hours per week, 47 weeks of the year.
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A waka tūpāpaku is a box used for containing the bones of a person of high rank after they had been exposed on the atamira platform, the flesh removed and the bones anointed with oil and red ochre, placed in a waka tūpāpaku and taken to a tribal buriel cave.
Material: Tōtara
Measurements: 580mm x 140mm x 110mm
Tokotoko are used when speaking on the marae – by esteemed orators – to indicate the direction of a speaker’s kōrero (speech). They often have the whakapapa (genealogy) of the orator carved into them and these can also be referenced by the orator during his address.
Material: Rātā
Measurements: 970mm x 45mm x 35mm
Kumete or bowls were used for storing and serving food. They came in an assortment of sizes, depths and shapes, and were used in formal settings to impress high-standing manuhiri (visitors). Many kumete acquired personal names and were passed from one generation to another.
Material: Mataī
Measurements: 610mm x 200mm x 200mm
In Māori carving there are three predominant designs for heads: the 'wheku' with its long eyes; the 'koruru' with its round eyes; and the 'ruru', which also has round eyes but with a point at the top. The different designs were used by carvers to illustrate the character of the subject they were carving. The long eyes of the wheku were often used to depict a squint or frown.
The wheku was commonly used in Māori carvings by some tribal areas and was also placed on the apex of the Māori meeting house to represent an eponymous ancestor.
Material: Tōtara
Measurements: 500mm x 250mm x 80mm
In Māori carving there are three predominant designs for heads: the 'wheku' with its long eyes; the 'koruru' with its round eyes; and the 'ruru', which also has round eyes but with a point at the top. The different designs were used by carvers to illustrate the character of the subject they were carving. The long eyes of the wheku were often used to depict a squint or frown.
The wheku was commonly used in Māori carvings by some tribal areas and was also placed on the apex of the Māori meeting house to represent an eponymous ancestor.
Material: Tōtara
Measurements: 300mm x 200mm x 50mm
In Māori carving there are three predominant designs for heads: the 'wheku' with its long eyes; the 'koruru' with its round eyes; and the 'ruru', which also has round eyes but with a point at the top. The different designs were used by carvers to illustrate the character of the subject they were carving. The long eyes of the wheku were often used to depict a squint or frown.
The wheku was commonly used in Māori carvings by some tribal areas and was also placed on the apex of the Māori meeting house to represent an eponymous ancestor.
Material: Tōtara
Measurements: 300mm x 180mm x 50mm
In Māori carving there are three predominant designs for heads: the 'wheku' with its long eyes; the 'koruru' with its round eyes; and the 'ruru', which also has round eyes but with a point at the top. The different designs were used by carvers to illustrate the character of the subject they were carving. The long eyes of the wheku were often used to depict a squint or frown.
The wheku was commonly used in Māori carvings by some tribal areas and was also placed on the apex of the Māori meeting house to represent an eponymous ancestor.
Material: Tōtara
Measurements: 380mm x 200mm
Heru were produced in varying shapes and sizes and were made from rākau (wood) and in some instance’s parāoa (whalebone). These combs were highly valued as personal heirlooms and were consequently passed down from one generation to the next, often acquiring their own personal names.
The combs were mostly decorative and held the pūtikitiki (top knot) in place. When a comb was broken, it was placed in a swamp or a sacred place for safe keeping because the head was the most sacred part of the body and therefore tapu (sacred).
Material: Rātā
Measurements: 169mm x 65mm x 3mm
Heru were produced in varying shapes and sizes and were made from rākau (wood) and in some instance’s parāoa (whalebone). These combs were highly valued as personal heirlooms and were consequently passed down from one generation to the next, often acquiring their own personal names.
The combs were mostly decorative and held the pūtikitiki (top knot) in place. When a comb was broken, it was placed in a swamp or a sacred place for safe keeping because the head was the most sacred part of the body and therefore tapu (sacred).
Material: Tōtara
Measurements: 230mm x 90mm x 4mm
Patu (meaning to strike or hit) were typically fashioned from native hardwood, whalebone or stone, including our highly valued pounamu (greenstone). Patu were often sharp at their forward edge and were used with thrusting, jabbing, and swinging blows. Māori weapons are notable for their fine sculptural form and were designed for close hand-to-hand combat. No other stone-age war implements surpassed them in deadly effectiveness.
Material: Maire (NZ Hardwood)
Measurements: 385mm x 135mm x 30mm
The pūkaea was the largest of the Māori trumpets, ranging in size from one metre (3.2ft) to over two meters (3.4ft) in length. They were made in two pieces and bound together with the roots of the kiekie (climber). Many pūkaea were carved and they often belonged to the chief of a tribe. They were typically used to call the tribe together.
Material: Tōtara
Measurements: 1110mm x 75mm x 50mm
The pūkaea was the largest of the Māori trumpets, ranging in size from one metre (3.2ft) to over two meters (3.4ft) in length. They were made in two pieces and bound together with the roots of the kiekie (climber). Many pūkaea were carved and they often belonged to the chief of a tribe. They were typically used to call the tribe together.
Material: Tōtara
Measurements: 370mm x 150mm x 150mm