Whakairo Rākau - National Wood Carving School

The tekoteko is a stylised representation of the main progenitor of a tribe and is the most focal point of the whare whakairo (carved tribal meeting house). They can be found – on traditional meeting houses – either at the highest point at the front apex of the roof or at the front central post. They can also be found at the base of the poutokomanawa (the main central ridge support post) of the house.

Material: Tōtara

Measurements: 865mm x 210mm x 180mm

A waka tūpāpaku is a box used for containing the bones of a person of high rank after they had been exposed on the atamira platform, the flesh removed and the bones anointed with oil and red ochre, placed in a waka tūpāpaku and taken to a tribal buriel cave.

Material: Tōtara

Measurements: 580mm x 140mm x 110mm

Tokotoko are used when speaking on the marae – by esteemed orators – to indicate the direction of a speaker’s kōrero (speech). They often have the whakapapa (genealogy) of the orator carved into them and these can also be referenced by the orator during his address.

Material: Rātā

Measurements: 970mm x 45mm x 35mm

Kumete or bowls were used for storing and serving food. They came in an assortment of sizes, depths and shapes, and were used in formal settings to impress high-standing manuhiri (visitors). Many kumete acquired personal names and were passed from one generation to another.

Material: Mataī

Measurements: 610mm x 200mm x 200mm

The Waka Pungarehu (Ash Urn) has two carved tekoteko (statues) positioned at the ends of the waka pungarehu which are carved in the traditional style of whakapakoko, resembling preserved corpses. The surface is intricately adorned with the raperape design, symbolizing the continuous cycle of life and the evolution of death. The pakati and haehae techniques are skillfully carved to enhance the entire waka pungarehu, with the distinctive pakati design known as niho kuri (dog’s teeth) adding a unique touch. The pakati designs feature iroiro (maggots) motifs, symbolizing the natural process of decomposition when a human body returns to the earth.

Material: Tōtara

Measurements: 450mm x 110mm x 90mm

In Māori carving there are three predominant designs for heads: the 'wheku' with its long eyes; the 'koruru' with its round eyes; and the 'ruru', which also has round eyes but with a point at the top. The different designs were used by carvers to illustrate the character of the subject they were carving. The long eyes of the wheku were often used to depict a squint or frown.

The wheku was commonly used in Māori carvings by some tribal areas and was also placed on the apex of the Māori meeting house to represent an eponymous ancestor.

Material: Tōtara

Measurements: 500mm x 250mm x 80mm

In Māori carving there are three predominant designs for heads: the 'wheku' with its long eyes; the 'koruru' with its round eyes; and the 'ruru', which also has round eyes but with a point at the top. The different designs were used by carvers to illustrate the character of the subject they were carving. The long eyes of the wheku were often used to depict a squint or frown.

The wheku was commonly used in Māori carvings by some tribal areas and was also placed on the apex of the Māori meeting house to represent an eponymous ancestor.

Material: Tōtara

Measurements: 685mm x 400mm x 120mm

In Māori carving there are three predominant designs for heads: the 'wheku' with its long eyes; the 'koruru' with its round eyes; and the 'ruru', which also has round eyes but with a point at the top. The different designs were used by carvers to illustrate the character of the subject they were carving. The long eyes of the wheku were often used to depict a squint or frown.

The wheku was commonly used in Māori carvings by some tribal areas and was also placed on the apex of the Māori meeting house to represent an eponymous ancestor.

Material: Tōtara

Measurements: 300mm x 180mm x 50mm

In Māori carving there are three predominant designs for heads: the 'wheku' with its long eyes; the 'koruru' with its round eyes; and the 'ruru', which also has round eyes but with a point at the top. The different designs were used by carvers to illustrate the character of the subject they were carving. The long eyes of the wheku were often used to depict a squint or frown.

The wheku was commonly used in Māori carvings by some tribal areas and was also placed on the apex of the Māori meeting house to represent an eponymous ancestor.

Material: Tōtara

Measurements: 380mm x 200mm

Heru were produced in varying shapes and sizes and were made from rākau (wood) and in some instance’s parāoa (whalebone). These combs were highly valued as personal heirlooms and were consequently passed down from one generation to the next, often acquiring their own personal names.

The combs were mostly decorative and held the pūtikitiki (top knot) in place. When a comb was broken, it was placed in a swamp or a sacred place for safe keeping because the head was the most sacred part of the body and therefore tapu (sacred).

Material: Tōtara

Measurements: 230mm x 90mm x 4mm

The pūkaea was the largest of the Māori trumpets, ranging in size from one metre (3.2ft) to over two meters (3.4ft) in length. They were made in two pieces and bound together with the roots of the kiekie (climber). Many pūkaea were carved and they often belonged to the chief of a tribe. They were typically used to call the tribe together.

Material: Tōtara

Measurements: 1110mm x 75mm x 50mm