Āhua Gallery

Patu (meaning to strike or hit) were typically fashioned from native hardwood, whalebone or stone, including our highly valued pounamu (greenstone). Patu were often sharp at their forward edge and were used with thrusting, jabbing and swinging blows.

Māori weapons are notable for their fine sculptural form and were designed for close hand-to-hand combat. No other stone-age war implements surpassed them in deadly effectiveness.

Material: Onewa (NZ Greywacke)

Measurements: 380mm x 100mm

Heru were produced in varying shapes and sizes and were made from rākau (wood) and in some instance’s parāoa (whalebone). These combs were highly valued as personal heirlooms and were consequently passed down from one generation to the next, often acquiring their own personal names.

The combs were mostly decorative and held the pūtikitiki (top knot) in place. When a comb was broken, it was placed in a swamp or a sacred place for safe keeping because the head was the most sacred part of the body and therefore tapu (sacred).

Material: Tōtara

Measurements: 230mm x 90mm x 4mm

The maro is a frontal apron tied around the waist and is a traditional garment that is worn by both men and woman. This maro has been fashioned with strands of muka fibre within the flax.

Material: Harakeke & Muka

Measurements: 680mm x 480mm

Aurei were customarily used as a pin for fastening cloaks and may be made from bone, stone, wood or shell. They may also have been worn through the ear as an earring or around the neck as a pendant. Aurei are still commonly worn as pendants and earrings and as with most Māori personal adornments, are often passed down generationally.

Material: Koiwi (Beef Bone)

Measurements: 124mm x 18mm x 10mm

The Pekapeka (native NZ bat) represents the interwoven nature of the spirit world and the world of the living – the seen and the unseen. The bat was interpreted by Māori as a creature who symbolically acted as an interface between the two worlds and whose physiology (which does not possess the gift of sight) appeared to be guided by the ethereal and the metaphysical.

Material: Pounamu (Kawakawa)

Measurements: 65mm x 30mm x 8mm

The Pekapeka (native NZ bat) represents the interwoven nature of the spirit world and the world of the living – the seen and the unseen. The bat was interpreted by Māori as a creature who symbolically acted as an interface between the two worlds and whose physiology (which does not possess the gift of sight) appeared to be guided by the ethereal and the metaphysical.

Material: Pounamu (Kawakawa)

Measurements: 60mm x 35mm x 8mm

Tāniko weaving produces a relatively stiff and unyielding fabric, it was traditionally used as a decorative border on fine cloaks of the kaitaka and paepaeroa types. Often several different strips of tāniko appeared on up to three sides of a cloak.

Material: Acrylic Cotton, Leather Lining, Macrame Silks

Measurements: 1150mm x 40mm

Hei tiki are the best known of all Māori adornments.

Tiki are symbols of fertility that depict a new-born child. They are often family heirlooms bearing personal names and embodying their wearers lineage. As with most Māori personal adornments, hei tiki are often passed down generationally.

Material: Rātā

Measurements: 134mm x 70mm x 20mm

Hei tiki are the best known of all Māori adornments.

Tiki are symbols of fertility that depict a new-born child. They are often family heirlooms bearing personal names and embodying their wearers lineage. As with most Māori personal adornments, hei tiki are often passed down generationally.

Material: Rātā

Measurements: 115mm x 64mm x 20mm

Kōauau are part of the flute family and come to us from the atua (spiritual entity) of flute music Hine Raukatauri. Kōauau is also the name for a species of hollow kelp, which can also be used to make instruments. Kōauau are made from a variety of different materials including wood, bone or sometimes stone. Most Kōauau have 3 wenewene (finger holes) although there are several older examples that have 4 or more. The kaiwhakangāwari is the wenewene closest to the mouth, the kaiwhakahī is the middle wenewene and the kaiwhakakaha is the wenewene closest to the distal end. There are many uses for kōauau. In Māori tradition, birds are sometimes seen as important messengers from the spirit world. Kōauau have a reputation of attracting the native birds of Aotearoa. The birds will often interact with the beautiful melody from the kōauau, giving us a glimpse of the spiritual aspects of the kōauau song.

Material: Mataī (NZ Native)

Measurements: 123mm x 26mm x 26mm

Kōauau are part of the flute family and come to us from the atua (spiritual entity) of flute music Hine Raukatauri. Kōauau is also the name for a species of hollow kelp, which can also be used to make instruments. Kōauau are made from a variety of different materials including wood, bone or sometimes stone. Most kōauau have three wenewene (finger holes) although there are several older examples that have four or more. The kaiwhakangāwari is the wenewene closest to the mouth, the kaiwhakahī is the middle wenewene and the kaiwhakakaha is the wenewene closest to the distal end. There are many uses for kōauau. In Māori tradition, birds are sometimes seen as important messengers from the spirit world. Kōauau have a reputation of attracting the native birds of Aotearoa. The birds will often interact with the beautiful melody from the kōauau, giving us a glimpse of the spiritual aspects of the kōauau song.

Material: Mataī (NZ Native)

Measurements: 123mm x 26mm x 26mm

In former times, marae had no wharekai (dining halls) to what we are familiar with today. During those times, specific ‘food mats’ were laid out in the middle of the wharenui (meeting house) and the food for the manuhiri (guest) was placed on them. This takapapa has been weaved to be used as a table runner.

Material: Harakeke

Measurements: 1110mm x 230mm