Āhua brings you a wide-ranging collection of taonga Māori from our Master carvers and weavers, alongside Māori artists and practitioners throughout Aotearoa.
New Zealand Māori Arts & Crafts dedicated Exhibition Gallery for all the taonga created within the Wananga. Beautiful works of arts from our National Schools and Graduated Artists are displayed for your veiwing pleasure. Visit Te Puia and participate in a Guided Experience - Tē Ra and you will get to visit the schools where all the action happens before visiting our very special Āhua Gallery.
Whats even better, you can request a tailor made taonga! Visit our Commission a Project at NZMACI. From sentimental whānau pieces to significant commissioned projects, NZMACI can design, create and deliver your taonga.
If you would like to know some more about our Tumu (Head of Schools) and Pouako (Tutors) please visit our Artists page.
The mark of a high Chief was one who wore the hei niho (whale tooth pendant), as the teeth of the sperm whale were highly prized because of their rarity. Usually these pendants had simply etched out eyes to form a head at one end. With actual whale teeth being such a rarity, it became common to fashion the tooth form from other materials.
Material: Onewa (Greywacke)
Measurements: 71mm x 32mm x 7mm
In Māori carving there are three predominant designs for heads: the 'wheku' with its long eyes; the 'koruru' with its round eyes; and the 'ruru', which also has round eyes but with a point at the top. The different designs were used by carvers to illustrate the character of the subject they were carving. The long eyes of the wheku were often used to depict a squint or frown.
The wheku was commonly used in Māori carvings by some tribal areas and was also placed on the apex of the Māori meeting house to represent an eponymous ancestor.
Material: Tōtara
Measurements: 300mm x 200mm x 50mm
In Māori carving there are three predominant designs for heads: the 'wheku' with its long eyes; the 'koruru' with its round eyes; and the 'ruru', which also has round eyes but with a point at the top. The different designs were used by carvers to illustrate the character of the subject they were carving. The long eyes of the wheku were often used to depict a squint or frown.
The wheku was commonly used in Māori carvings by some tribal areas and was also placed on the apex of the Māori meeting house to represent an eponymous ancestor.
Material: Tōtara
Measurements: 220mm x 180mm x 45mm
In Māori carving there are three predominant designs for heads: the 'wheku' with its long eyes; the 'koruru' with its round eyes; and the 'ruru', which also has round eyes but with a point at the top. The different designs were used by carvers to illustrate the character of the subject they were carving. The long eyes of the wheku were often used to depict a squint or frown.
The wheku was commonly used in Māori carvings by some tribal areas and was also placed on the apex of the Māori meeting house to represent an eponymous ancestor.
Material: Tōtara
Measurements: 300mm x 180mm x 50mm
In Māori carving there are three predominant designs for heads: the 'wheku' with its long eyes; the 'koruru' with its round eyes; and the 'ruru', which also has round eyes but with a point at the top. The different designs were used by carvers to illustrate the character of the subject they were carving. The long eyes of the wheku were often used to depict a squint or frown.
The wheku was commonly used in Māori carvings by some tribal areas and was also placed on the apex of the Māori meeting house to represent an eponymous ancestor.
Material: Tōtara
Measurements: 380mm x 200mm
In Māori carving there are three predominant designs for heads: the 'wheku' with its long eyes; the 'koruru' with its round eyes; and the 'ruru', which also has round eyes but with a point at the top. The different designs were used by carvers to illustrate the character of the subject they were carving. The long eyes of the wheku were often used to depict a squint or frown.
The wheku was commonly used in Māori carvings by some tribal areas and was also placed on the apex of the Māori meeting house to represent an eponymous ancestor.
Material: Tōtara
Measurements: 300mm x 210mm x 50mm
Heru were produced in varying shapes and sizes and were made from rākau (wood) and in some instance’s parāoa (whalebone). These combs were highly valued as personal heirlooms and were consequently passed down from one generation to the next, often acquiring their own personal names.
The combs were mostly decorative and held the pūtikitiki (top knot) in place. When a comb was broken, it was placed in a swamp or a sacred place for safe keeping because the head was the most sacred part of the body and therefore tapu (sacred).
Material: Rātā
Measurements: 169mm x 65mm x 3mm
Heru were produced in varying shapes and sizes and were made from rākau (wood) and in some instance’s parāoa (whalebone). These combs were highly valued as personal heirlooms and were consequently passed down from one generation to the next, often acquiring their own personal names.
The combs were mostly decorative and held the pūtikitiki (top knot) in place. When a comb was broken, it was placed in a swamp or a sacred place for safe keeping because the head was the most sacred part of the body and therefore tapu (sacred).
Material: Tōtara
Measurements: 230mm x 90mm x 4mm
Heru were produced in varying shapes and sizes and were made from rākau (wood) and in some instance’s parāoa (whalebone). These combs were highly valued as personal heirlooms and were consequently passed down from one generation to the next, often acquiring their own personal names.
The combs were mostly decorative and held the pūtikitiki (top knot) in place. When a comb was broken, it was placed in a swamp or a sacred place for safe keeping because the head was the most sacred part of the body and therefore tapu (sacred).
Material: Rātā
Measurements: 174mm x 66mm x 4mm
Kete whakairo are woven flax bags of a finer quality than the general utilitarian kete. They are normally made from prepared strips of flax and/or kiekie, some of which have been dyed. Kete whakairo may also feature geometric designs.
Material: Harakeke & Muka
Measurements: 220mm x 150mm x 50mm
Kete whakairo are woven flax bags of a finer quality than the general utilitarian kete. They are normally made from prepared strips of flax and/or kiekie, some of which have been dyed. Kete whakairo may also feature geometric designs.
Material: Harakeke & Muka
Measurements: 375mm x 250mm x 50mm
The teka or rākau tapu is a sacred stick which is placed down during the traditional wero (challenge) ceremony.
Material: Mātāi
Measurements: 272mm x 30mm x 34mm