Āhua Gallery

Coastal and river-based Māori tribes traditionally used a variety of fishhooks and lures. Hooks and lures varied in shape, material and design. Today hei matau (fishhooks) have become symbolic of traditional Māori technology and continue to symbolize a relationship to Tangaroa, God of the sea.

Material: Koiwi (Beef Bone)

Measurements: 44mm x 32mm

Coastal and river-based Māori tribes traditionally used a variety of fishhooks and lures. Hooks and lures varied in shape, material and design. Today hei matau (fishhooks) have become symbolic of traditional Māori technology and continue to symbolize a relationship to Tangaroa, God of the sea.

Material: Koiwi (Beef Bone)

Measurements: 32mm x 39mm

Coastal and river-based Māori tribes traditionally used a variety of fishhooks and lures. Hooks and lures varied in shape, material and design. Today hei matau (fishhooks) have become symbolic of traditional Māori technology and continue to symbolize a relationship to Tangaroa, God of the sea.

Material: Koiwi (Beef Bone)

Measurements: 33mm x 26mm

Coastal and river-based Māori tribes traditionally used a variety of fishhooks and lures. Hooks and lures varied in shape, material and design. Today hei matau (fishhooks) have become symbolic of traditional Māori technology and continue to symbolize a relationship to Tangaroa, God of the sea.

Material: Koiwi (Beef Bone)

Measurements: 30mm x 25mm

Kete whakairo are woven flax bags of a finer quality than the general utilitarian kete. They are normally made from prepared strips of flax and/or kiekie, some of which have been dyed. Kete whakairo may also feature geometric designs.

Material: Harakeke & Muka

Measurements: 260mm x 170mm

In Māori carving there are three predominant designs for heads: the 'wheku' with its long eyes; the 'koruru' with its round eyes; and the 'ruru', which also has round eyes but with a point at the top. The different designs were used by carvers to illustrate the character of the subject they were carving. The long eyes of the wheku were often used to depict a squint or frown.

The wheku was commonly used in Māori carvings by some tribal areas and was also placed on the apex of the Māori meeting house to represent an eponymous ancestor.

Material: Tōtara

Measurements: 500mm x 250mm x 80mm

In Māori carving there are three predominant designs for heads: the 'wheku' with its long eyes; the 'koruru' with its round eyes; and the 'ruru', which also has round eyes but with a point at the top. The different designs were used by carvers to illustrate the character of the subject they were carving. The long eyes of the wheku were often used to depict a squint or frown.

The wheku was commonly used in Māori carvings by some tribal areas and was also placed on the apex of the Māori meeting house to represent an eponymous ancestor.

Material: Tōtara

Measurements: 300mm x 200mm x 50mm

In Māori carving there are three predominant designs for heads: the 'wheku' with its long eyes; the 'koruru' with its round eyes; and the 'ruru', which also has round eyes but with a point at the top. The different designs were used by carvers to illustrate the character of the subject they were carving. The long eyes of the wheku were often used to depict a squint or frown.

The wheku was commonly used in Māori carvings by some tribal areas and was also placed on the apex of the Māori meeting house to represent an eponymous ancestor.

Material: Tōtara

Measurements: 300mm x 180mm x 50mm

In Māori carving there are three predominant designs for heads: the 'wheku' with its long eyes; the 'koruru' with its round eyes; and the 'ruru', which also has round eyes but with a point at the top. The different designs were used by carvers to illustrate the character of the subject they were carving. The long eyes of the wheku were often used to depict a squint or frown.

The wheku was commonly used in Māori carvings by some tribal areas and was also placed on the apex of the Māori meeting house to represent an eponymous ancestor.

Material: Tōtara

Measurements: 380mm x 200mm

Aurei were customarily used as a pin for fastening cloaks and may be made from bone, stone, wood or shell. They may also have been worn through the ear as an earring or around the neck as a pendant. Autui are still commonly worn as pendants and earrings and as with most Māori personal adornments, are often passed down generationally.

Material: Paua Shell

Measurements: 110mm x 10mm

Heru were produced in varying shapes and sizes and were made from rākau (wood) and in some instance’s parāoa (whalebone). These combs were highly valued as personal heirlooms and were consequently passed down from one generation to the next, often acquiring their own personal names.

The combs were mostly decorative and held the pūtikitiki (top knot) in place. When a comb was broken, it was placed in a swamp or a sacred place for safe keeping because the head was the most sacred part of the body and therefore tapu (sacred).

Material: Rātā

Measurements: 169mm x 65mm x 3mm

Heru were produced in varying shapes and sizes and were made from rākau (wood) and in some instance’s parāoa (whalebone). These combs were highly valued as personal heirlooms and were consequently passed down from one generation to the next, often acquiring their own personal names.

The combs were mostly decorative and held the pūtikitiki (top knot) in place. When a comb was broken, it was placed in a swamp or a sacred place for safe keeping because the head was the most sacred part of the body and therefore tapu (sacred).

Material: Tōtara

Measurements: 230mm x 90mm x 4mm