Whakairo Rākau - National Wood Carving School

In Māori carving there are three predominant designs for heads: the 'wheku' with its long eyes; the 'koruru' with its round eyes; and the 'ruru', which also has round eyes but with a point at the top. The different designs were used by carvers to illustrate the character of the subject they were carving. The long eyes of the wheku were often used to depict a squint or frown.

The wheku was commonly used in Māori carvings by some tribal areas and was also placed on the apex of the Māori meeting house to represent an eponymous ancestor.

Material: Tōtara (Red Pine)

Measurements: 250mm x 130mm x 30mm

Heru were produced in varying shapes and sizes and were made from rākau (wood) and in some instance’s parāoa (whalebone). These combs were highly valued as personal heirlooms and were consequently passed down from one generation to the next, often acquiring their own personal names.

The combs were mostly decorative and held the pūtikitiki (top knot) in place. When a comb was broken, it was placed in a swamp or a sacred place for safe keeping because the head was the most sacred part of the body and therefore tapu (sacred).

Material: Tōtara

Measurements: 230mm x 90mm x 4mm

Smaller hoe such as this were used in ceremonies such as the launching of a waka taua or war canoe, and in other rituals also. This particular hoe has the northern fish scale design or unaunahi on the front. Although the hoe looks quite simple, its not until you turn it around to see the reverse side of the hoe you see the beauty of the taitokerau serpent art. The twisting shape is said in some versions to represent an eel, another version says it is based on a stick insect. Many hoe have a concave or dished out back, where as this one has the northern figure carved in the dish, making it very unusual.

Material: Tōtara (Redpine)

Measurements: 640mm x 62mm x 18mm

Papahou are predominantly made to house small, treasured belongings and were historically owned by people of high standing within their tribe. Papahou were highly prized and carefully treasured as they were passed between generations as heirlooms.

Material: Tōtara (Red Pine)

Measurements: 370mm x 120mm x 75mm

Customarily wakahuia were vessels used for housing valuable feathers of the revered native huia bird. Following the extinction of the huia, wakahuia are now more commonly used to retain the treasured heirlooms of its owner such as hei tiki and other adornments. Wakahuia were originally designed to be suspended from the rafters of a dwelling and therefore had as much carving on the lower surface as the top. Wakahuia were highly prized and carefully treasured as they were passed between generations as heirlooms. They were often gifted between whānau, hapū and individuals to acknowledge relationships, friendships, and other significant social events.

Material: Tōtara

Measurements: 345mm x 110mm x 90mm

Kōauau are part of the flute family and come to us from the atua (spiritual entity) of flute music Hine Raukatauri. Kōauau is also the name for a species of hollow kelp, which can also be used to make instruments. Kōauau are made from a variety of different materials including wood, bone or sometimes stone. Most kōauau have three wenewene (finger holes) although there are several older examples that have four or more. The kaiwhakangāwari is the wenewene closest to the mouth, the kaiwhakahī is the middle wenewene and the kaiwhakakaha is the wenewene closest to the distal end. There are many uses for kōauau. In Māori tradition, birds are sometimes seen as important messengers from the spirit world. Kōauau have a reputation of attracting the native birds of Aotearoa. The birds will often interact with the beautiful melody from the kōauau, giving us a glimpse of the spiritual aspects of the kōauau song.

Material: Mataī (NZ Native)

Measurements: 123mm x 26mm x 26mm

Kōauau are part of the flute family and come to us from the atua (spiritual entity) of flute music Hine Raukatauri. Kōauau is also the name for a species of hollow kelp, which can also be used to make instruments. Kōauau are made from a variety of different materials including wood, bone or sometimes stone. Most Kōauau have 3 wenewene (finger holes) although there are several older examples that have 4 or more. The kaiwhakangāwari is the wenewene closest to the mouth, the kaiwhakahī is the middle wenewene and the kaiwhakakaha is the wenewene closest to the distal end. There are many uses for kōauau. In Māori tradition, birds are sometimes seen as important messengers from the spirit world. Kōauau have a reputation of attracting the native birds of Aotearoa. The birds will often interact with the beautiful melody from the kōauau, giving us a glimpse of the spiritual aspects of the kōauau song.

Material: Mataī (NZ Native)

Measurements: 123mm x 26mm x 26mm

Pare were traditionally installed above thew front door of a house belonging to someone of high tribal standing and can also be found across the top of the main doorway into a meetinghouse. Customarily pare delineated spaces, particularly those between tapu (restricted) and noa (un-restricted) environments.

Material: Tōtara

Measurements: 1030mm x 360mm x 80mm

The pūkaea was the largest of the Māori trumpets, ranging in size from one metre (3.2ft) to over two meters (3.4ft) in length. They were made in two pieces and bound together with the roots of the kiekie (climber). Many pūkaea were carved and they often belonged to the chief of a tribe. They were typically used to call the tribe together.

Material: Matai

Measurements: 600mm x 70mm x 60mm

Often the bailer (tatā, tīheru or tā wai) was beautifully carved and some were given a name. In canoe traditions, tribal members still name the bailers used on the original voyaging canoes from Polynesia.

Material: Tōtara

Measurements: 180mm x 300mm x 50mm