Often the bailer (tatā, tīheru or tā wai) was beautifully carved, and some were given a name. In canoe traditions, tribal members still name the bailers used on the original voyaging canoes from Polynesia.
Material: Tōtara (Red Pine)
Measurements: 270mm x 370mm
Heru were produced in varying shapes and sizes and were made from rākau (wood) and in some instance’s parāoa (whalebone). These combs were highly valued as personal heirlooms and were consequently passed down from one generation to the next, often acquiring their own personal names.
The combs were mostly decorative and held the pūtikitiki (top knot) in place. When a comb was broken, it was placed in a swamp or a sacred place for safe keeping because the head was the most sacred part of the body and therefore tapu (sacred).
Material: Tōtara
Measurements: 230mm x 90mm x 4mm
Shark teeth were highly sought after to wear as a symbol of prestige for personal adornment. They were reflective of the mana of the shark itself.
Material: Onewa (NZ Greywacke)
Measurements: 103mm x 23mm
Shark teeth were highly sought after to wear as a symbol of prestige for personal adornment. They were reflective of the mana of the shark itself.
Material: Onewa (NZ Greywacke)
Measurements: 73mm x 21mm
The Pekapeka (native NZ bat) represents the interwoven nature of the spirit world and the world of the living – the seen and the unseen. The bat was interpreted by Māori as a creature who symbolically acted as an interface between the two worlds and whose physiology (which does not possess the gift of sight) appeared to be guided by the ethereal and the metaphysical.
Material: Beef Bone (Koiwi)
Measurements: 62mm x 33mm x 7mm
The mark of a high Chief was one who wore the Rei Puta (whale tooth pendant), as the teeth of the Sperm Whale were highly prized because of their rarity. With actual whale teeth being such a rarity, it became common to fashion the tooth form from other materials.
Material: Koiwi (Beef Bone)
Measurements: 85mm x 35mm x 16mm
Kōauau are part of the flute family and come to us from the atua (spiritual entity) of flute music Hine Raukatauri. Kōauau is also the name for a species of hollow kelp, which can also be used to make instruments. Kōauau are made from a variety of different materials including wood, bone or sometimes stone. Most kōauau have three wenewene (finger holes) although there are several older examples that have four or more. The kaiwhakangāwari is the wenewene closest to the mouth, the kaiwhakahī is the middle wenewene and the kaiwhakakaha is the wenewene closest to the distal end.
There are many uses for kōauau. In Māori tradition, birds are sometimes seen as important messengers from the spirit world. Kōauau have a reputation of attracting the native birds of Aotearoa. The birds will often interact with the beautiful melody from the kōauau, giving us a glimpse of the spiritual aspects of the kōauau song.
Material: Mataī (NZ Native)
Measurements: 123mm x 26mm x 26mm
Kōauau are part of the flute family and come to us from the atua (spiritual entity) of flute music Hine Raukatauri. Kōauau is also the name for a species of hollow kelp, which can also be used to make instruments. Kōauau are made from a variety of different materials including wood, bone or sometimes stone. Most Kōauau have 3 wenewene (finger holes) although there are several older examples that have 4 or more. The kaiwhakangāwari is the wenewene closest to the mouth, the kaiwhakahī is the middle wenewene and the kaiwhakakaha is the wenewene closest to the distal end.
There are many uses for kōauau. In Māori tradition, birds are sometimes seen as important messengers from the spirit world. Kōauau have a reputation of attracting the native birds of Aotearoa. The birds will often interact with the beautiful melody from the kōauau, giving us a glimpse of the spiritual aspects of the kōauau song.
Material: Mataī (NZ Native)
Measurements: 123mm x 26mm x 26mm