Whakairo Rākau - National Wood Carving School

A waka tūpāpaku is a box used for containing the bones of a person of high rank after they had been exposed on the atamira platform, the flesh removed and the bones anointed with oil and red ochre, placed in a waka tūpāpaku and taken to a tribal buriel cave.

Material: Tōtara

Measurements: 580mm x 140mm x 110mm

The Waka Pungarehu (Ash Urn) has two carved tekoteko (statues) positioned at the ends of the waka pungarehu which are carved in the traditional style of whakapakoko, resembling preserved corpses. The surface is intricately adorned with the raperape design, symbolizing the continuous cycle of life and the evolution of death. The pakati and haehae techniques are skillfully carved to enhance the entire waka pungarehu, with the distinctive pakati design known as niho kuri (dog’s teeth) adding a unique touch. The pakati designs feature iroiro (maggots) motifs, symbolizing the natural process of decomposition when a human body returns to the earth.

Material: Tōtara

Measurements: 450mm x 110mm x 90mm

Tokotoko are used when speaking on the marae – by esteemed orators – to indicate the direction of a speaker’s kōrero (speech). They often have the whakapapa (genealogy) of the orator carved into them and these can also be referenced by the orator during his address.

Material: Rātā

Measurements: 1050mm x 45mm x 45mm

Often the bailer (tatā, tīheru or tā wai) was beautifully carved and some were given a name. In canoe traditions, tribal members still name the bailers used on the original voyaging canoes from Polynesia.

Material: Tōtara

Measurements: 180mm x 300mm x 50mm

Often the bailer (tatā, tīheru or tā wai) was beautifully carved, and some were given a name. In canoe traditions, tribal members still name the bailers used on the original voyaging canoes from Polynesia.

Material: Tōtara (Red Pine)

Measurements: 270mm x 370mm

The tekoteko is a stylised representation of the main progenitor of a tribe and is the most focal point of the whare whakairo (carved tribal meeting house). They can be found – on traditional meeting houses – either at the highest point at the front apex of the roof or at the front central post. They can also be found at the base of the poutokomanawa (the main central ridge support post) of the house.

Material: Tōtara

Measurements: 865mm x 210mm x 180mm

In Māori whakapapa (genealogy), all Māori flutes come to us from Hine Raukatauri, the daughter of Tānemahuta, the atua (spiritual entity) of the forest and birds. Hine Raukatauri is best known as the atua of flute music. She loved her flute so much that she chose to live inside it. She is now personified as the case moth that hangs from branches of trees in a long slender cocoon. This case moth cocoon is where the pūtōrino gets its shape from.

Material: Mataī (NZ Native)

Measurements: 400mm x 70mm x 50mm

Māripi are a traditional meat cutting tool. They are fashioned with a wooden handle and sharks’ teeth carved from Kōiwi (beef bone) to create a serrated edge.

Material: Rātā, Kōiwi (Beef Bone) & Pāua (Abalone)

Measurements: 370mm x 60mm x 30mm

Māripi are a traditional meat cutting tool. They are fashioned with a wooden handle and sharks’ teeth carved from Kōiwi (beef bone) to create a serrated edge.

Material: Rātā, Kōiwi (Beef Bone) & Pāua (Abalone)

Measurements: 340mm x 100mm x 30mm

Kōauau are part of the flute family and come to us from the atua (spiritual entity) of flute music Hine Raukatauri. Kōauau is also the name for a species of hollow kelp, which can also be used to make instruments. Kōauau are made from a variety of different materials including wood, bone or sometimes stone. Most Kōauau have 3 wenewene (finger holes) although there are several older examples that have 4 or more. The kaiwhakangāwari is the wenewene closest to the mouth, the kaiwhakahī is the middle wenewene and the kaiwhakakaha is the wenewene closest to the distal end. There are many uses for kōauau. In Māori tradition, birds are sometimes seen as important messengers from the spirit world. Kōauau have a reputation of attracting the native birds of Aotearoa. The birds will often interact with the beautiful melody from the kōauau, giving us a glimpse of the spiritual aspects of the kōauau song.

Material: Mataī (NZ Native)

Measurements: 123mm x 26mm x 26mm

Kōauau are part of the flute family and come to us from the atua (spiritual entity) of flute music Hine Raukatauri. Kōauau is also the name for a species of hollow kelp, which can also be used to make instruments. Kōauau are made from a variety of different materials including wood, bone or sometimes stone. Most kōauau have three wenewene (finger holes) although there are several older examples that have four or more. The kaiwhakangāwari is the wenewene closest to the mouth, the kaiwhakahī is the middle wenewene and the kaiwhakakaha is the wenewene closest to the distal end. There are many uses for kōauau. In Māori tradition, birds are sometimes seen as important messengers from the spirit world. Kōauau have a reputation of attracting the native birds of Aotearoa. The birds will often interact with the beautiful melody from the kōauau, giving us a glimpse of the spiritual aspects of the kōauau song.

Material: Mataī (NZ Native)

Measurements: 123mm x 26mm x 26mm

Heru were produced in varying shapes and sizes and were made from rākau (wood) and in some instance’s parāoa (whalebone). These combs were highly valued as personal heirlooms and were consequently passed down from one generation to the next, often acquiring their own personal names.

The combs were mostly decorative and held the pūtikitiki (top knot) in place. When a comb was broken, it was placed in a swamp or a sacred place for safe keeping because the head was the most sacred part of the body and therefore tapu (sacred).

Material: Tōtara

Measurements: 230mm x 90mm x 4mm